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- The Making of a Story: A Norton Guide to Writing Fiction and Nonfiction
- Method and Madness: The Making of a Story;[a Guide to Writing Fiction, A LaPlante
- ISBN 13: 9780393928174
In undertaking this life, several people constantly attempt to do and obtain the most effective.
The Making of a Story: A Norton Guide to Writing Fiction and Nonfiction
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Return to Book Page. The Making of a Story is a fresh and inspiring guide to the basics of creative writing—both fiction and creative nonfiction. Its hands-on, completely accessible approach walks writers through each stage of the creative process, from the initial triggering idea to the revision of the final manuscript.
It is unique in combing the three main aspects of creative writing instru The Making of a Story is a fresh and inspiring guide to the basics of creative writing—both fiction and creative nonfiction. It is unique in combing the three main aspects of creative writing instruction: process finding inspiration, getting ideas on the page , craft specific techniques like characterization , and anthology learning by reading masters of the form.
Succinct, clear definitions of basic terms of fiction are accompanied by examples, including excerpts from masterpieces of short fiction and essays as well as contemporary novels. A special highlight is Alice LaPlante's systematic debunking of many of the so-called rules of creative writing.
This book is perfect for writers working alone as well as for creative writing classes, both introductory and advanced. Get A Copy. Hardcover , pages. More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up.
To ask other readers questions about The Making of a Story , please sign up. Be the first to ask a question about The Making of a Story. Lists with This Book. Community Reviews. Showing Average rating 4.
Rating details. More filters. Sort order. This book is not only well-written one would hope so but fun to read. It's not only a great textbook for beginning writers, but a resource and refresher for not-so-beginning writers, and I think the exercises on how to "explode" open your pieces will be very useful. Each chapter ends with wonderful short stories and creative nonfiction pieces to illustrate each chapter's lesson, and they were all a pleasure to read -- even the ones I'd read before, though finding new to me writings by John C This book is not only well-written one would hope so but fun to read.
Each chapter ends with wonderful short stories and creative nonfiction pieces to illustrate each chapter's lesson, and they were all a pleasure to read -- even the ones I'd read before, though finding new to me writings by John Cheever , Akhil Sharma and Maxine Hong Kingston just to name a few was especially exciting.
The only discouraging thing is that when I see minute typos and proofreading misses which are ever so minor that I almost hate mentioning them , I always feel I am on the wrong path, that I should work as a copy-editor instead of trying to write!
View 2 comments. Oct 26, Joe rated it it was amazing Shelves: nurses-and-writing. I bought this book because I was trying to write my own, but I had come face to face with a particular realization: I did not know what I was doing.
I was not capable of producing the kind of writing I desperately wanted to produce, the kind of writing I wanted to read. Now in all humility, there may very well be readers who throw my book down in disgust and say " he still doesn't know how"; but at least I got the manuscript out and in to the hands of readers.
And a lack of talent shining from m I bought this book because I was trying to write my own, but I had come face to face with a particular realization: I did not know what I was doing. And a lack of talent shining from my page does not mean that the resource was lacking in any way.
I found a way to study what I was doing and to critique myself, using this book. It helped me through the editing process, and also made me into a better reader of narrative than I ever was before. Apr 12, Tammy rated it really liked it. I read about writing in order to become a better reader. This guide is among the best. Jul 11, Jordan Ferguson rated it really liked it. The one book I recommend to people [about writing] more than anything. Covering both fiction and narrative nonfiction, the book deals with a topic per chapter, from plot to dialogue to character.
Just like every other writing book. I want a The one book I recommend to people [about writing] more than anything. I want a book to let me consume it, sit with it for a while, and then do exercises if I want to. Also, a big problem with writing books is the way they tell you how writer X does something right, then presents a passage from the story in question, pulled out of context from the rest of the story.
I understand this is likely a copyright issue, excerpts under a certain length being exempt from royalty payments. Simply the best book you can get on the technical aspects. Jan 19, Chris Garcia rated it it was amazing.
I have a whole bookshelf dedicated to craft books on poetry and prose fiction writing. The last thing I need is another one.
But I came across this obscure book at the library and I was just amazed by it. Its a big fat book, as Norton books tend to be. But its packed with genuine information, not just pep talks. This is not a popular book, but its a very highly regarded book. I think this must have originally been intended for college writing courses, but its filled with exercises and you can us I have a whole bookshelf dedicated to craft books on poetry and prose fiction writing.
I think this must have originally been intended for college writing courses, but its filled with exercises and you can use it without a teacher. It breaks down each stage of the process, from acquiring and recognising a viable idea down to the finished project.
It doesn't focus on the business end of writing so much as on the creative end. I checked this book out so many times I finally decided "If you love her, put a ring on her.
The best fiction writing text I've ever read. LaPlante gives equal treatment to craft method and heart madness , and encourages young writers to learn the rules so that they can be broken.
Unlike other craft texts, the tone is lively, sassy, and playful, rather than dry, dull, and condescending. Two of my favorite lines from the book are: "The only rule for fiction is that it be interesting. Finally, because LaPlante approaches common topics from such fresh angles, instructors also benefit a great deal from this book; I'm a better teacher for having read this book something that can't be said for a lot of craft texts that don't offer anything we haven't already read or heard a billion times.
Feb 03, Lyndsi rated it it was amazing. I actually had an epiphany while reading this book. This neon-green book is large, inviting, and unintimidating, loaded with incredible examples, exercises, and advice that will forever impact my writing and approach. Instead, Skinner argues that the physical act of writing is the cause, not the effect, of new and original thought, and that any creative work that is not a journey of discovery for the writer will, in turn, bore readers.
Good creative writing is almost always conceived in doubt, and is fueled by an urgent desire to understand something that eludes understanding. First, one learns how to recognize mystery. However, after reading this book I realized the beauty in pursuing writing as The Discoverer. Hence, discovering what you remember, who you were at the time, the meaning behind an interaction, how you really feel about an interaction, and discovering the implications of that interaction- discovering what it all means.
This has completely opened a new door in my mind in writing. And this is just one of the epiphanies I had while I was reading this book. The Making of a Story is over six-hundred pages and includes fourteen chapters with two exercises per chapter, and one to two reading examples per chapter.
It contains advice on showing vs telling, character development, plot, dialogue, revision, and fiction vs nonfiction requirements. LaPlante covers many more bases and has much more to offer than simply great tips. Backing her advice with exercises and reading excerpts, with essays and examples, the writing reader is truly challenged in their craft. I know I was. In addition, the writing exercises were intriguing, and I completed most of them.
And LaPlante is an excellent teacher. Stunning, actually. This book is worth your money and may, if you take her advice, make you money in the long run.
Feb 12, Aleksandr Voinov is currently reading it. Finally reading this after having owned it for years. It is so down-to-eath, deep, practical.
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Method and Madness: The Making of a Story;[a Guide to Writing Fiction, A LaPlante
By Alice LaPlante. Excuse the double negative. You know how squirrels flirt with death by the roadside, and how some actually lose their heads and rush into traffic to their doom? I had to give up riding my bike around campus as an undergraduate because of those damn squirrels.
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ISBN 13: 9780393928174
Par worthington guadalupe le mercredi, novembre 11 , - Lien permanent. This is probably one of the most useful books I've read yet in learning how to write well. And occasionally surprise myself. Apr 3, - Sometimes students cringe at the thought of writing assignments while teachers and parents cringe at the cost of books. This includes requirements, reading lists and by mfawriters in module guides, reading Tags: dissertation, drama, fiction, film, mfa creative writing, nonfiction, poetry, short story.
Simply include this sot documents to your gizmo or computer disk to allow you read whenever and also almost everywhere you have time. Learning how to have reading habit is like learning to attempt for consuming something that you really do not desire. It will need even more times to aid. In addition, it will certainly also bit pressure to serve the food to your mouth as well as swallow it.
Его нижняя губа на мгновение оттопырилась, но заговорил он не. Слова, сорвавшиеся с его языка, были определенно произнесены на английском, но настолько искажены сильным немецким акцентом, что их смысл не сразу дошел до Беккера. - Проваливай и умри. Дэвид даже вздрогнул от неожиданности. - Простите. - Проваливай и умри, - повторил немец, приложив левую ладонь к жирному правому локтю, имитируя итальянский жест, символизирующий грязное ругательство.
Free PDF Method and Madness: The Making of a Story: A Guide to Writing Fiction, by Alice LaPlante
Возможно, он работал в одиночку. Стратмор хмыкнул. Мысль Сьюзан показалась ему достойной внимания. - Неплохо, но есть одно. Он не пользовался своими обычными почтовыми ящиками - ни домашним, ни служебными.
Странное? - Он начал беспокоиться. - Можешь выражаться яснее.
Не лги, - рассердилась Сьюзан. - Почему же вся переписка Северной Дакоты оказалась в твоем компьютере. - Я ведь тебе уже говорил! - взмолился Хейл, не обращая внимания на вой сирены.
Он перезагрузил монитор, надеясь, что все дело в каком-то мелком сбое. Но, ожив, монитор вновь показал то же. Чатрукьяну вдруг стало холодно. У сотрудников лаборатории систем безопасности была единственная обязанность - поддерживать ТРАНСТЕКСТ в чистоте, следить, чтобы в него не проникли вирусы.
Отлично. Он обедает там сегодня с одной из наших сопровождающих. - Ролдан понимал, что сейчас они скорее всего лежат в постели, но ему не хотелось оскорблять чувства звонившего. - Оставьте паспорт у администратора, его зовут Мануэль.
Автоматическое освещение постепенно становилось ярче. Сьюзан по-прежнему молча сидела за компьютером, ожидая вестей от Следопыта. Поиск занял больше времени, чем она рассчитывала. Мысли ее мешались: она тосковала по Дэвиду и страстно желала, чтобы Грег Хейл отправился домой. Но Хейл сидел на месте и помалкивал, поглощенный своим занятием.
Правда открылась со всей очевидностью: Хейл столкнул Чатрукьяна. Нетвердой походкой Сьюзан подошла к главному выходу- двери, через которую она вошла сюда несколько часов. Отчаянное нажатие на кнопки неосвещенной панели ничего не дало: массивная дверь не поддалась. Они в ловушке, шифровалка превратилась в узилище.
Она наклонилась и что было сил потянула ее, стараясь высвободить застрявшую часть. Затуманенные глаза Беккера не отрываясь смотрели на торчащий из двери кусок ткани. Он рванулся, вытянув вперед руки, к этой заветной щели, из которой торчал красный хвост сумки, и упал вперед, но его вытянутая рука не достала до .
И что все это. - Не знаю. Все это выглядит довольно странно. - Думаешь, надо вернуть им отчет. Она посмотрела на него недовольно.
Шеф службы обеспечения систем безопасности спустился с подиума подобно грозовой туче, сползающей с горы, и окинул взглядом свою бригаду программистов, отдающих какие-то распоряжения. - Начинаем отключение резервного питания. Приготовиться. Приступайте.
Попробуем порыскать. ГЛАВА 125 - Сколько у нас времени? - крикнул Джабба. Техники в задней части комнаты не откликнулись. Все их внимание было приковано к ВР.